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Pink biography

Забавная пачка "5000 дублей".
Юмор – настоящее богатство! Купюры в пачке выглядят совсем как настоящие, к тому же и банковской лентой перехвачены... Но вглядитесь
60 руб
Раздел: Прочее
Пакеты с замком "Extra зиплок" (гриппер), комплект 100 штук (150x200 мм).
Быстрозакрывающиеся пакеты с замком "зиплок" предназначены для упаковки мелких предметов, фотографий, медицинских препаратов и
148 руб
Раздел: Гермоупаковка
Карабин, 6x60 мм.
Размеры: 6x60 мм. Материал: металл. Упаковка: блистер.
44 руб
Раздел: Карабины для ошейников и поводков

&quo ;I was ex reme. from ska eboarder o hip-hopper o rave child o lead si ger of a rock ba d -- I did i all, a d all a he same ime.&quo ; -Pi k biographyChris e ed Alecia Moore, Pi k was bor Sep ember 8, 1979, o pare s James a d Judy. While growi g up i Philadephia, her fa her played Bob Dyla a d Do McLea so gs o he gui ar, which served as i spira io o Pi k's pursui of a musical career. A you g Pi k proclaimed her love for music by ru i g hrough her house si gi g so gs, a d crea i g her ow fa asies by doi g so. While growi g up, he Philly club sce e provided her he ve ue o express herself by bo h si gi g a d da ci g. A he age of 13, Pi k me a popular Philly club da cer amed Skra ch, who she s ar ed da ci g wi h. his led o her si gi g backup i his rap group, Schools of hough . By he ime she was 14, Pi k had pe ed her firs so g. So gwri i g became a way for he fu ure R&B/pop si ger o express her feeli gs a d hough s o her Philly childhood a d adolesce experie ces, i a herapeu ic way. O e of her favori e pas imes, goi g o clubs, became par of her s ar i he music i dus ry. She would freque Club Fever every Friday igh , where she eve ually was give a 5-mi u e spo . Al hough Pi k was some imes boo-ed while o s age, she used he ega ivi y as more fuel o he fire of her ambi io . Her career ook a ur i he righ direc io af er a represe a ive came o Club Fever i search of a addi io o a R&B group. Impressed by Pi k's voice a d s yle, she was sig ed as he ew member of he shor -lived group, Basic I s i c . Si ce Pi k did ' feel ha she fi i o he group, Basic I s i c was o hi g more ha ha -- a flee i g i s i c -- bu Pi k was o her way o bigger a d be er hi gs, as a solo ar is . Bu o before a o her sho a a group, his ime o e amed Choice. Sig ed wi h LaFace Records, Choice was jus as ill-fa ed as Basic I s i c , bu his ime due o differi g ambi io s a d me ali ies of he group members. I did lead however, o Pi k's rela io ship wi h LaFace, prese ly Pi k's record label. As o e of he lead si gers of Choice, Pi k was asked by Darryl Simmo s o co ribu e o he so gwri i g of he group's so g, &quo ;Jus o Be Lovi g You&quo ;. I was her co ribu io o he so g ha riggered her love for so gwri i g -- o ce a childhood hobby a d ow par of her job. Pi k's debu album, Ca ' ake Me Home, was released i Spri g 2000, a d has si ce gar ered cri ical a d commercial praise. Her firs si gle, &quo ; here You Go&quo ;, became a op 40 Pop char s aple, a d was eve amed he umber 2 breakup so g of all- ime by US magazi e. he seco d si gle, &quo ;Mos Girls&quo ;, is seei g he same success as i s predecessor, if o more, by sheddi g ligh o he mo ey-grubbi g e de cies of &quo ;mos girls.&quo ; As opposed o mos female ar is s, Pi k, who ci es Mado a, Mary J. Blige, Ja is Jopli , a d he Supremes as i spira io , prefers o si g abou real mome s i life a d perso al experie ces, ra her ha si g roma ic ballads. As a resul , her experie ces from her a ive Philadelphia are showcased i her debu album. Ho off he rails of a summer our ope i g for ' Sy c, Pi k is defi i ely seei g he world hrough rose-colored glasses.

Al hough she's o ly 21 years old a d has he same color hair as mos childre 's roll dolls, Pi k's e de cies a d u de iable ale prove ha she's more ha jus a passi g phase i oday's world of musical ale s. Wi h he collabora io a d suppor of Babyface a d LaFace records, Pi k wri es all of her ow lyrics. ha 's o a all hard o believe -- she walks he walk, a d i is qui e evide ha she's o like &quo ;mos girls.&quo ; She has a ou spoke a d i -your-face perso a ha seems o radia e hrough ha hair of hers ( ha we ca ' seem o ge passed). Al hough some guys would ra her ake her o a salo ha show her off o heir buddies, here's a sparkle i Pi k's eyes ha hi a a devilish se suali y. Wi h he rece release of her ew album Ca ' ake Me Home, Pi k's s ar has bee s eadily o he rise af er o ly releasi g wo si gles. Pi k is o ly 21 years old, a d her complexio is smoo h a d velve y (we ca o ly imagi e). Did we me io hose sparkly ca eyes? Poor Pi k seems o be oblivious whe i comes o fashio . If a yo e saw wha she wore o he M V Music Awards, hey would've hough ha he poor si ger had jus escaped a rai wreck. A d co sideri g she had her hair spiked i every which way jus rei forces our belief ha Pi k ruly does ' have a clue.

В этом смысле особое значение приобрела "Волшебная флейта", в основе к-рой лежит нем. пьеса. При всей отвлечённости и экзотичности её сказочного сюжета она наиболее близка к нар. характеру, нац. песен-ности и полифонии, формам отечеств, т-ра. В обстановке засилья иностр. оперы "Волшебная флейта" явилась для Австрии и Германии провозвестником нац. иск-ва. Прогрессивные принципы реалистич. оперного творчества М. сыграли огромную роль в развитии муз.-сценич. иск-ва. С о ч.: П и с ь м а и документы.- Mozart. Briefe und Aufzeichnungen. Gesamtausgabe. Gesammelt und erlautert von W. A. Bauer und 0. E. Deutsch, Bd I-IV, Kassel, i 962-63; Die Dokumente seines Lebens. Gesammelt und erlautert von 0. E. Deutsch, Lpz., 1961. Лит.: Черная E. С., Моцарт и австрийский музыкальный театр. М., 1963; Штейнпресс Б. С., "Безумный день, или Женитьба Фигаро" Бомарше как источник оперы Моцарта,* в кн.: Вопросы музыкознания. Сб. статей, т. III, М., 1960; ХохловкинаА., Западноевропейская опера. Конец XVIII первая половина XIX века Очерки, М., 1962 (гл. II - Моцарт); AbertH., W. A. Mozart Bd 1-2, 7. Aufl., Lpz., 1955-56; Schenk E., Wolfgang Amadeus Mozart. Eine Biographie, Z.- Lpz.- W., 1955 D e n t E. J., Mozart's opcras, 3 ed., L., 1960; L e r t E., Mozart auf dem Theater, 2. Aufl., B., 1921; DellaCorte A., Tutto il teatro di Mozart, Torino, 1957. См. также соч. при статьях: Т. Н. Ливанова, Б. Паумгартнер, А. Н. Серов (Избр. статьи, т. 1), И. И

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